On September 26th Missouri SCBWI held its fall conference for children’s writers and illustrators, Soaring to New Heights. It was a wonderful way to spend a Saturday in fall, with something to offer for children’s writers of all genres. Here’s the Wrap-Up!
EB Lewis, award-winning author/illustrator of children’s picture books, was the keynote speaker. Others representing picture books were Connie Hsu, editor at Roaring Brook Press and Kirsten Hall, agent and owner of Catbird Agency. I also did my part for picture book writers in the picture book intensive along with Connie and Kirsten. Representing middle grade and young adult were Brianne Johnson, agent at Writer’s House, Kate Sullivan, editor at Delacorte Press, and author Jennifer Brown. Behind the scenes, not present that day but doing written critiques, was Melissa Edwards, agent at Aaron Priest Literary Agency.
I didn’t attend all of the breakout sessions, but attended the ones that focused on writing picture books.
The day started off with artistrator, EB Lewis, who talked about Art and Picture Books.
He said that the illustrator creates a ‘visual’ language in which you read images like words. Each image moves a story forward. Something that, as a writer, I had not thought about before. Keeping that in mind helps me as a picture book writer.
Agent, Brianne Johnson talked about Character Driven Picture Books.
She said that character influences plot and voice. You want your character to ‘want’ something deeply and not be shy about it! When developing your character, you should look at your character’s values, behavior (including virtues and flaws or weaknesses), and Traits (they should be unique, and have heart). You can put your character in any situation and you know what is going to happen.
Picture book agent, Kirsten Hall, talked about Pitching Your Work.
Your pitch to an agent or an editor should be short and sweet, and include a short summary, a small amount of interesting relevant biographical info about yourself, and be visual. Include comparable titles that are successful and refer to books that the editor has previously edited.
Kirsten’s advice—
1—Pitch to the right editor at the right house
2—Be confident
3—Stand out, be different
4—Remain optimistic
5—Be happy!
The Picture Book Intensive started off with editor, Connie Hsu.
Three things that Connie looks for in a picture book are character, voice and arc. She said to avoid stereotypes when developing characters. Ask yourself ‘why’ your main character is a child or an animal, and how that moves the story along. Regarding voice, ask: who is the narrator and who is the audience? At the end of the story the main character should learn something, and change somehow. There should be a satisfying ending with an emotional resonance, or ‘take-away,’ for the reader.
Agent Kirsten Hall talked about picture book basics. Picture books are written for children ages 4-8. A picture book is structured with a combination of text plus art. The format is a book with 32 to 40 pages—the pages are divisible by 8—although some newer picture books are 90-100 pages!
She gave us 20 tips for writing picture books from editors. Among those were—
Begin at the library or bookstore—ask for their 10 best-selling picture books and read them.
Think visually.
Know your characters and their world.
Know the parts of your story
PUSH the emotion.
‘Cheesy Tip’—Be Nice and Be Professional (also echoed by Connie Hsu)
Also stressed by both Kirsten and Connie, and among ‘Editors’ Tips’ was—
Check your story’s ‘Readability’ by reading your picture book text out loud—over and over! Twenty times or more in one sitting!
My own author part of the picture book intensive focused on 'Show, Don’t Tell.' Why 'show?' We ‘show’ to keep the reader’s attention by making the story more active, putting images in the readers’ minds, and drawing them into the story. We want the reader to ‘feel’ what the main character feels.
What do we want to show? We show characters, emotions, story, setting and time.
How so we 'show'? Some ‘tools’ that help ‘show’ instead of ‘tell’ are—
Dialogue
Action
Body language
Use your 5 senses
Detail (Language)
And, since all picture books have a poetic quality, there are also ‘poetic tools,’ which I’ll talk a little bit about in my next blog post. See you there! Read More
EB Lewis, award-winning author/illustrator of children’s picture books, was the keynote speaker. Others representing picture books were Connie Hsu, editor at Roaring Brook Press and Kirsten Hall, agent and owner of Catbird Agency. I also did my part for picture book writers in the picture book intensive along with Connie and Kirsten. Representing middle grade and young adult were Brianne Johnson, agent at Writer’s House, Kate Sullivan, editor at Delacorte Press, and author Jennifer Brown. Behind the scenes, not present that day but doing written critiques, was Melissa Edwards, agent at Aaron Priest Literary Agency.
I didn’t attend all of the breakout sessions, but attended the ones that focused on writing picture books.
The day started off with artistrator, EB Lewis, who talked about Art and Picture Books.
He said that the illustrator creates a ‘visual’ language in which you read images like words. Each image moves a story forward. Something that, as a writer, I had not thought about before. Keeping that in mind helps me as a picture book writer.
Agent, Brianne Johnson talked about Character Driven Picture Books.
She said that character influences plot and voice. You want your character to ‘want’ something deeply and not be shy about it! When developing your character, you should look at your character’s values, behavior (including virtues and flaws or weaknesses), and Traits (they should be unique, and have heart). You can put your character in any situation and you know what is going to happen.
Picture book agent, Kirsten Hall, talked about Pitching Your Work.
Your pitch to an agent or an editor should be short and sweet, and include a short summary, a small amount of interesting relevant biographical info about yourself, and be visual. Include comparable titles that are successful and refer to books that the editor has previously edited.
Kirsten’s advice—
1—Pitch to the right editor at the right house
2—Be confident
3—Stand out, be different
4—Remain optimistic
5—Be happy!
The Picture Book Intensive started off with editor, Connie Hsu.
Three things that Connie looks for in a picture book are character, voice and arc. She said to avoid stereotypes when developing characters. Ask yourself ‘why’ your main character is a child or an animal, and how that moves the story along. Regarding voice, ask: who is the narrator and who is the audience? At the end of the story the main character should learn something, and change somehow. There should be a satisfying ending with an emotional resonance, or ‘take-away,’ for the reader.
Agent Kirsten Hall talked about picture book basics. Picture books are written for children ages 4-8. A picture book is structured with a combination of text plus art. The format is a book with 32 to 40 pages—the pages are divisible by 8—although some newer picture books are 90-100 pages!
She gave us 20 tips for writing picture books from editors. Among those were—
Begin at the library or bookstore—ask for their 10 best-selling picture books and read them.
Think visually.
Know your characters and their world.
Know the parts of your story
PUSH the emotion.
‘Cheesy Tip’—Be Nice and Be Professional (also echoed by Connie Hsu)
Also stressed by both Kirsten and Connie, and among ‘Editors’ Tips’ was—
Check your story’s ‘Readability’ by reading your picture book text out loud—over and over! Twenty times or more in one sitting!
My own author part of the picture book intensive focused on 'Show, Don’t Tell.' Why 'show?' We ‘show’ to keep the reader’s attention by making the story more active, putting images in the readers’ minds, and drawing them into the story. We want the reader to ‘feel’ what the main character feels.
What do we want to show? We show characters, emotions, story, setting and time.
How so we 'show'? Some ‘tools’ that help ‘show’ instead of ‘tell’ are—
Dialogue
Action
Body language
Use your 5 senses
Detail (Language)
And, since all picture books have a poetic quality, there are also ‘poetic tools,’ which I’ll talk a little bit about in my next blog post. See you there! Read More
